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by M D Caprario (Source) November 12, 2006 |
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While stuck in traffic several years ago in upstate New York, Emmy-nominated writer- director Craig Serling and writing partner Nicole Lonner got an idea for a film. That film, "Jam," made its Los Angeles debut recently at the Hollywood Film Festival, screened at the Arclight Theater. |
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"Jam" presents stories of revelation and personal growth that come after a traffic accident A father and son negotiate their tumultuous history together, a heterosexual couple |
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| William Forsythe is well cast as the tough, gruff dad with a tragic secret and a fragile heart. His seesaw of emotions while trying to communicate with his son during a time that could be his last opportunity is believable and touching. Elegant Marianne Jean-Baptiste ("Secrets and Lies") shines as she intervenes between Forsythe's character and his son. Jean-Baptiste as a thoughtful, feminine "Yoda" is brilliant; the gentle nature of both character and actor is solid and well-appreciated in this story. |
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| Jeffrey Dean Morgan- who delighted in his role as devil-may-care heart transplant patient and love interest on ABC's "Grey's Anatomy"- surprises as a tender, wonderfully flawed father who loves his kids, but fumbles to do whatever seems best for them. The actor has an amazing following; one loyal fan, Jennifer Stoll, drove all the way from the Bay Area just for this screening. (Stoll manages a fan web site: www.jeffreydeanmorganfans.com.) |
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| Jonathan Silverman has big fun with his role as the would-be father who will do anything to get his wife warmed to the idea of having a child- even risking running out of gasoline in order to keep the AC going to keep her cool. Amanda Foreman ("Happy Endings") endears as the young bride who, once stuck in a car with her two bridal attendants, begins to question whether her plan of marriage and parenthood is all that great. Strong performance by Alex Rocco as a successful long-time married man, who sets an example for the younger, divorced dad. The origin of "Jam" is a great industry story. The idea was first presented to the public in 2003 as a short. The short had such a successful run when screened at various film festivals that actors flocked to Serling asking to take part in his vision for the full-length film. The feature was shot in an amazing 15 days' time. (More on this later.) Jeff Venditti was behind the Super 16 mm camera, and Burnett Entertainment ("Survivor") was behind the production in association with Serling's Thanksgiving Films, a Santa Monica, California shop. |
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